One
Acts Plays for Mixed Casts
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AFTER THE CHILD
2 M 3 F (Ms 30s 50s, Fs 20s 50s Any)
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AWARD
WINNER
A
sitting room
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This play offers an intriguing glimpse into a medium's life as he
desperately seeks help for a child's restless spirit. Described as “Thought-provoking and
persuasive,” by an adjudicator for the George Taylor Award, and “Intelligent
and sensitive - the dialogue is sharp and rings true, the action sweetly
paced,” by a reader for the Geoffrey Whitworth Trophy.
[With minor alterations to the text, the medium can be played by a woman.]
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THE ANDERSON
2 M 2 F (Ms 20s 30s Fs 50s 20s)
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AWARD
WINNER
An
Anderson shelter
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Set in the East End of London in 1940, we find indomitable cockney
spirit battling against the inevitable when a family's shelter from the ravages
of the blitz becomes a death-trap. A
challenging piece for two men and two women which has won production, staging
and adjudicator's awards. “This writer
handles dialogue, development, and characterisation with skill and
insight... a first-rate piece of
theatre.” (Adjudicator, George Taylor Award).
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ARANDOE'S ROOM
9 Characters (Any ages)
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AWARD
WINNER
A
forest glade
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Great Queen Emien has died and left an immature rabble of Elves,
Fairies, Pixies and Gnomes to squabble over the leadership of their
forest. A question is set to test their
worth. After plenty of bickering, wide
guesses and cheating, the answer is given to be greeted with heartfelt groans.
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A SUMMER VOCATION
9 Characters (Any ages)
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AWARD
WINNER
Father
Time's office in the clouds
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Summer has been abysmal and therefore sacked. Father Time has called his staff together to
interview applicants for the position.
They soon become desperate when confronted with propositions for ice
ages and demands for company clouds! Can
the last applicant save summer?
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CONSEQUENCES
2 M 3 F (Ms 50s 40s Fs 50s 2 x 20s)
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A
study/sitting room
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Carol has committed a terrible crime: an accident has made her a
hit-and-run driver with a victim seriously ill in hospital. Can her antagonistic family be united to help
her face the lawful consequences of her crime and a cruel blackmail attempt?
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THE CRIMSON HEART
4 M 5 F 1 Any (M 20-50s Fs 20-50s)
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Various locations: London Street, drawing room, vault
beneath the river Thames
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A dark, Victorian melodrama. The heir to the
Ballard fortune was stolen away as a child, now the
evil Simeon Blackwood is determined to force Lady Constance
into accepting him
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THE HURTING
1 M 2 F (M 30/40 Fs 30s 50s)
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AWARD
WINNER
An
isolation colony
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The future. Medical rejects are
exported to outer space, left to survive abandoned and without hope. Travis and Cassau have a love/hate
relationship that has sustained them through the difficult years. But Travis is now dying and can no longer
accept their superficial game-playing as the only contact. If they can survive the truth, they can
survive anything. And sometimes miracles
do happen. “A clever and imaginative
piece of theatre – highly original in concept and development.” (George Taylor Memorial Award adjudicator.)
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KEY TO THE DARK
3 M 2 F (Ms 20s to 40s Fs 20s 30s) Specify
Mixed Cast when ordering.
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AWARD
WINNER
Somewhere
safe. Here. Now.
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Paige draws together her patients for a group therapy session, and
gradually strange connections are revealed between them: the loneliness of
their backgrounds, abductions, the bestowal of physical gifts. The inspiration for this piece is the mystery
surrounding accounts of abduction by aliens, but this is never mentioned and
the audience is left to answer the many questions the play raises, not least of
all being whether Paige is actually therapist or patient. "An absorbing, powerful, sometimes
riveting play." Colin Dolley GODA.
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LINE OF DESCENT
1 M 4 F (M 50s Fs 60s 3 x 20/30s)
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AWARD
WINNER
A
barn
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Set in 1944 Germany, two families meet in a barn: the Kesslers are
fleeing the Russians, and the Brandts the Nazis. Anna is Jewish, Eva is a Nazi. The blind bigotry and hatred of Nazism
results in tragedy, but the natural tolerance of the other characters and
Gran's story-telling show Eva how bankrupt Fascism is. Tony Rushforth of GODA thought it, “An
interesting study of war from the German viewpoint. It has tension, suspense, conflict... lots of
dramatic power.”
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RECKONING
2 M 2 F (Ms 40s 50s Fs 30s 50s)
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AWARD
WINNER
A
prison cell, and people’s memories of events.
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Tom, a priest and criminal psychologist visits Rachel in her prison
cell. He is convinced of her innocence but
she protests her guilt. Memories of the
events leading to her father’s death are revisited, and the shattering truth is
revealed only after Rachel is executed.
“A gripping and totally unpredictable thriller,” Irene Rostron, GODA. Period: twenty years from now.
Winner of the Geoffrey Whitworth Award,
and the George Taylor Award 2000.
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STANDING STILL
2 M 1 F (Ms 30s 50s F 30s)
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AWARD
WINNER
A
conservatory
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Grace and Charlie's lives are turned upside down when the new gardener
proves to be Charlie's long lost father who has been searching for his son for
thirty years. An ancient 'Dear John'
letter reveals the unexpected truth about past events, and a positive pregnancy
result provides further upheaval. Can pig-headed
Charlie ever accept his father, and what are the chances of becoming one big
happy family?
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THIS COMMON BOND
1 M 1 F (30s)
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AWARD
WINNER
The
conservatory of a private nursing home
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Two attempted suicides come together at a convalescent home. Cass hates a man she cannot live with,
Richard mourns a woman he cannot live without.
As their friendship develops can they supply the lifeline they both
desperately need? An adjudicator for the
George Taylor Award said that, “The writer handles her theme with credibility
and a fine sense of theatre. A play
which encapsulates both the bleak and the heart-warming to a highly effective
degree.”
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THE VIEW FROM HERE
2 M 2 F (Ms 30s Fs 50s)
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AWARD
WINNER
A
sitting room
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A crippled actress and her young husband reach the day in their lives
when the frustrations and tensions come to a head. Bitter truths and revelations confront both,
but their love for each other and the theatre holds them together.
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